Musicaldance (Jazzdance, Ballet, Tapdance) II

Faculty

Institute of Music

Version

Version 1 of 27.02.2025.

Module identifier

66B6356

Module level

Bachelor

Language of instruction

German

ECTS credit points and grading

10.0

Module frequency

only winter term

Duration

2 semesters

 

 

Brief description

Movement principles in musicals today are multi-stylistic and formally diverse, which is why a performer must know and master a wide variety of techniques and styles. This module provides students with the skills they need to master the dance requirements of a wide variety of musical genres in performance and pedagogy. The multi-stylistic demands of modern musicals require a performer with a stable, well-trained constitution. Influences of modern dance, acrobatic elements and hip-hop find their counterpart in contemporary musicals. Taking account of this constantly changing professional field in performance and pedagogy requires training and skills development in all forms of physical expression. Flowing dance elements are in direct contrast to accentuated modern forms of movement. The transformation of a dramatic idea into dance expression in its many forms documents the exceptional situation of the musical. Dance not as an end in itself, but as an enhancement of authentic expression in combination with singing expands the range of expression of a musical performer into an art form that transcends the boundaries of its genre.

Translated with DeepL.com (free version)

Teaching and learning outcomes

The module consists of the courses Jazzdance (Musical) II, Ballet (Musical) II and Tapdance (Musical) II. 

Jazzdance (Musical) II
1. repetition of the basics of the previous year 
2. development and expansion of technique 
3. for the female students: Dancing with high heels 
4. practicing the pick-up 
5. precise realization of choreographies with and without mirrors 
6. working on short choreographies together

Ballet (musical) II:
1. all exercises at 90 degrees 
2. change of direction and tempo 
3. simple pirouettes from 2nd, 4th and 5th position, en dehors and en dedans 
4. improving coordination 
5. development of rotation techniques 
6. all combinations with leg changes 
7. dynamic distribution in adagio and allegro 
8. exercises in the center en tournant and in different directions 
9. promenade 
10. preparation of grand pirouettes 
11. heavier exercises and connections within Adagio 
12. finishing Petit Allegro on one leg 
13. bigger jumps and Grand Allegro

Tapdance (Musical ) II: 
1. warm-up to loosen up the ankles 
2. consolidation of what has been learned so far 
3. expansion of basic techniques and step combinations 
4. drawbacks, timesteps, single pullbacks etc. 
5. speed training 
6. rehearsing more complex choreographies with arm movements and space choreography in Broadway style.

Modern Dance is an integral part of the courses Jazz Dance (Musical) II and Ballet (Musical) II

Overall workload

The total workload for the module is 300 hours (see also "ECTS credit points and grading").

Teaching and learning methods
Lecturer based learning
Workload hoursType of teachingMedia implementationConcretization
295Learning in groups / Coaching of groups-
Lecturer independent learning
Workload hoursType of teachingMedia implementationConcretization
5Preparation/follow-up for course work-
Graded examination
  • Examination of artistic qualification
Ungraded exam
  • Work practical or
  • Regular participation
Remark on the assessment methods

This module concludes with a graded examination in Tapdance (Musical) II. In Jazzdance (Musical) II and Ballet (Musical) II, either regular attendance or the work sample (practical) counts as completion with an ungraded examination. 

Exam duration and scope

Graded examination performance Tandance (Musical) II:
Warm up, difficult techniques and combinations. Precise execution of the techniques. Choreography in Broadway style.

The exam lasts approx. 60 minutes.

Recommended prior knowledge

Completion of the musical dance module (jazz dance, ballet, tap dance) I is a prerequisite. 

Knowledge Broadening

Students are able to differentiate between and apply various dance techniques. They recognize intersections of the different dance forms and are able to describe differences in a well-founded way. 

Knowledge deepening

Students can define the differences and similarities between contemporary and traditional performative dance forms and deepen their knowledge based on the Musical Dance I (Jazz Dance, Ballet, Tap Dance) I module. 

Knowledge Understanding

Students at Osnabrück University of Applied Sciences who have successfully completed this module have in-depth knowledge of their bodies with regard to the requirements of training and performance.

Application and Transfer

Students who have successfully completed this module will be able to apply professional skills, abilities, techniques and competencies related to the movement principles of musical dance to master more complex musical and dance content.

Academic Innovation

The students develop increasingly innovative approaches to musical dance and also apply their methodological repertoire to their own choreographic approaches. 

Communication and Cooperation

Students who have successfully completed this module will be able to understand the principles of dance movement using a variety of methods and to classify, group and interpret the different styles.

Academic Self-Conception / Professionalism

Students are able to recognize their own strengths and weaknesses. They are able to independently compensate for deficits in a targeted and professional manner. 

Literature

1. Agrippina J. Waganowa, Grundlagen des klassischen Tanzes, Henschel Verlag, 2002.
2. Jochen Schmidt, Tanzgeschichte des 20. Jahrhunderts in einem Band mit 101 Choreografenportraits, Henschel Verlag, 2002.
3. Horst Koegler und Klaus Kieser, Wörterbuch des Tanzes, Stuttgart: Philipp Reclam jun., 2009.
4. Nikolai I. Tarassow, Klassischer Tanz, Die Schule des klassischen Tänzers, Henschel Verlag, 2005.
5. Vera S. Kostrowitzkaja, Schule des klassischen Tanzes. Die Waganowa-Methode in der Praxis, Henschel Verlag, 2003.
6. Liane Simmel, Tanzmedizin in der Praxis. Anatomie, Prävention, Trainingstipps, Henschel Verlag, 2009.
7. Eric N. Franklin und Erich Walker, Tanz-Imagination. Stark im Ausdruck und perfekt in der Technik. Das Handbuch für Training und Bühne, Vak-Verlag, 2009.
8. Jacqui G. Haas, Dance Anatomie. Illustrierter Ratgeber für Beweglichkeit, Kraft und Muskelspannung im Tanz, Copress Sport, 2010.
9. Gitta Barthel und Hans G. Artus, Vom Tanz zur Choreographie. Gestaltungsprozesse in der Tanzpädagogik, ATHENA-Verlag, 2008.
10. Sabine Huschka, Moderner Tanz. Konzepte, Stile, Utopien, rororo Taschenbuch, 2002.
11. Julia Dold und Lea Schilling, Kreativer Kindertanz. Spaß und Freude am Tanz vermitteln, Meyer & Meyer Sport, 2011.
12. Konstantin Tsakalidis, Choreographie. Handwerk und Vision. Fachbuch für Choreographen, Tänzer und Perfomer, Stage Verlag, 2010.
13. Donald Oliver, How to Audition for the Musical Theatre, Hanover: Smith and Kraus Books, 1995.
14. Michael Shurtleff, Audition. New York: Bantam Books, 1980.
15. Thomas Siedhoff, Handbuch des Musicals, Mainz: Schott Music, 2007.
16. Fred Silver, Auditioning for the Musical Theatre, New York: Penguin Books, 1988.

Linkage to other modules

This module is closely linked to the acting and singing modules as well as all areas of interpretation. 

Applicability in study programs

  • Music Education
    • Music Education – Musical B.A. (01.09.2023)

    Person responsible for the module
    • Wienhausen, Sascha
    Teachers
    • Schmieder, Michael Josef
    • Giusti, Viviana
    • Tasfi, Gabor
    • Bahle, Oliver
    • Del Canto, Neven