Musical Dance (Jazz Dance, Ballet, Tap Dance) I
- Faculty
Institute of Music
- Version
Version 1 of 19.03.2025.
- Module identifier
66B6352
- Module level
Bachelor
- Language of instruction
German
- ECTS credit points and grading
10.0
- Module frequency
only winter term
- Duration
2 semesters
- Special features of the module
The jazz dance and ballet courses take place in both the first and second semester. Tap dance begins in the second semester.
- Brief description
Dance is one of the three arts that a musical performer must master. Choreographies in musicals today are multi-stylistic and formally diverse, so a performer must know and master a wide variety of techniques and styles. This module provides students with the foundations for later mastering the dance requirements of a wide range of musical genres in performance and teaching. The multi-stylistic demands of modern musicals require a performer with a stable, well-trained constitution. In order to take account of the constantly changing professional field in performance and pedagogy, training and expansion of skills in all forms of physical expression are necessary.
- Teaching and learning outcomes
The Musical Dance (Jazzdande, Ballet, Tapdance) I module consists of the courses Jazzdance I, Ballet I and Tapdance I
Jazzdance:
1. warm-up
2. tendu, plies, release, balance, pas de bounes, flat back, isolations, turns, jazz battements, kick ball changes, small jumps
3. stretching, abdominal muscles
4. diagonals and dancing in the middle of the room 5. independent development of own, simple choreographiesBallet:
Teaching basic knowledge at the barre and in the center
1. exercises with simple coordination and musicality: development of posture
2. standing leg work/port de bras
3. coordination of arms, legs and head
4. balance exercises
5. all exercises at 45 degrees
6. petit allegro
7. at the end of the semester, the exercises are extended in different directions
8. development of physical strength by repeating and extending the exercises
9. exercises on the pole at half point
10. large port de bras on the barre and in the center
11. simple adagios
12. preparation of pirouettes on the pole and in the centerTapdance:
1. warm-up to loosen up the ankles
2. step techniques, basic combinations; shuffles, flaps, hop/leap, cramp rolls, paddles etc.
3. rehearsing an easy ensemble numberModern dance as a discipline between ballet and jazz is the content of this module.
- Overall workload
The total workload for the module is 300 hours (see also "ECTS credit points and grading").
- Teaching and learning methods
Lecturer based learning Workload hours Type of teaching Media implementation Concretization 292 Other - Lecturer independent learning Workload hours Type of teaching Media implementation Concretization 8 Preparation/follow-up for course work -
- Graded examination
- Examination of artistic qualification
- Ungraded exam
- Regular participation or
- Work practical
- Remark on the assessment methods
The Jazz Dance (Musical) I course ends with a graded artistic examination. The Ballet and Tapdance courses end with one of two ungraded examinations, regular participation or a practical work sample.
- Exam duration and scope
The graded artistic examination in Jazz dance I lasts 45 minutes and includes the basic elements of jazz dance, dance and dance technique exercises in the room (warm up, across the floor) and a combination/choreography (basic step sequence in a specific style).
- Recommended prior knowledge
The necessary requirements are checked as part of the aptitude test (see EPO).
- Knowledge Broadening
Students who have successfully completed this module are aware of the basic contexts of musical dance. They know the sub-areas of musical dance and their underlying training approaches and can classify and practise these in the professional context.
- Knowledge deepening
Students who have successfully completed this module understand the connections between a musical and healthy use of the body for functioning in their specific field of work.
- Knowledge Understanding
Students are able to understand physical dance forms of expression. They can reflect on their own dance skills and understand the connection between musical and textual consequences on physical expression in the approach.
- Application and Transfer
Students who have successfully completed this module are able to understand the basic methodological principles and connections between the dance styles of jazz dance, ballet and tap dance. They understand the basic conditions of musical dance and are able to understand and, if necessary, further develop technically complex step sequences and forms of expression under guidance.
- Academic Innovation
Students develop innovative approaches within the expressive medium of dance in music by using their repertoire of dance methods in a variety of ways.
- Communication and Cooperation
Students who have successfully completed this module are able to apply professional skills, abilities and techniques within the framework of their basic knowledge. Students can understand the structure of dance processes and understand how they are performed under supervision.
- Academic Self-Conception / Professionalism
Students will also be able to assess musical styles within the subject of dance beyond their own expressive abilities and apply them on a fundamental basis.
- Literature
1. Agrippina J. Waganowa, Grundlagen des klassischen Tanzes, Henschel Verlag, 2002.
2. Helmut Günther, Jazzdance. Geschichte, Theorie, Praxis, Henschel Verlag, 2005.
3. Jochen Schmidt, Tanzgeschichte des 20. Jahrhunderts in einem Band mit 101 Choreografenportraits, Henschel Verlag, 2002.
4. Horst Koegler und Klaus Kieser, Wörterbuch des Tanzes, Stuttgart: Philipp Reclam jun., 2009.
5. Nikolai I. Tarassow, Klassischer Tanz. Die Schule des klassischen Tänzers, Henschel Verlag, 2005.
6. Vera S. Kostrowitzkaja, Schule des klassischen Tanzes. Die Waganowa-Methode in der Praxis, Henschel Verlag, 2003.
7. Liane Simmel, Tanzmedizin in der Praxis. Anatomie, Prävention, Trainingstipps, Henschel Verlag, 2009.
8. Eric N. Franklin und Erich Walker, Tanz-Imagination. Stark im Ausdruck und perfekt in der Technik. Das Handbuch für Training und Bühne, Vak-Verlag, 2009.
9. Jacqui G. Haas, Trixi Maraile Bücker und Birgit Pleier, Dance Anatomie. Illustirierter Ratgeber für Beweglichkeit, Kraft und Muskelspannung im Tanz, Copress, 2010.
10. Gitta Barthel und Hans G Artus, Vom Tanz zur Choreographie. Gestaltungsprozesse in der Tanzpädagogik, ATHENA-Verlag, 2008.
11. Sabine Huschka, Moderner Tanz. Konzepte-Stile-Utopien, rororo Taschenbuch, 2002.
12. Julia Dold und Lea Schilling, Kreativer Kindertanz. Spaß und Freude am Tanz vermitteln, Meyer & Meyer Sport, 2011.
13. Konstantin Tsakalidis, Choreographie. Handwerk und Vision. Fachbuch für Choreographen, Tänzer und Perfomer, Stage Verlag, 2010.
- Linkage to other modules
The module is closely linked to the acting and singing modules.
- Applicability in study programs
- Music Education
- Music Education – Musical B.A. (01.09.2023)
- Music Education – Musical B.A. (01.09.2020)
- Person responsible for the module
- Wienhausen, Sascha
- Teachers
- Giusti, Viviana
- Schmieder, Michael Josef
- Bahle, Oliver
- Del Canto, Neven
- Tasfi, Gabor