Artistic Major Subject (Jazz) II

Faculty

Institute of Music

Version

Version 8.0 of 02/04/2021

Code of Module

66B6110

Modulename (german)

Künstlerisches Hauptfach (Jazz) II

Study Programmes

Musikerziehung - Jazz (B.A.)

Level of Module

2

Responsible of the Module

Weber, Florian

Lecturer(s)
  • Schimmeroth, Alexa-Kim
  • Wahl, Andreas
  • Niescier, Angelika
  • Seifert, Achim
  • Jasper, Burkhard
  • Thomé, Christian
  • Schoenefeldt, Christian
  • Donker, Gerold
  • Köster, Frederik
  • Weber, Florian
  • Wingold, Frank
  • Schoenecker, Joachim
  • Duppler, Lars
  • Held, Pablo
  • Gramss, Sebastian
  • Rückert, Thomas
  • Winck, Volker
Credits

20

Concept of Study and Teaching
Workload Dozentengebunden
Std. WorkloadLehrtyp
36others
36others
Workload Dozentenungebunden
Std. WorkloadLehrtyp
300Tägliches Üben
220others
Recommended Reading

Bei den folgenden Literaturangaben handelt es sich um eine Auswahl, die im jeweiligen Einzelunterricht instrumentenspezifisch ergänzt wird:Mark Levine: The Jazz Theory BookMichele Weir: Vocal ImprovisationJ. Aebersold diverse Jazzconceptions, Jim Snidero / AdvanceJazzguitar Comping, Barry Galbraith / AebersoldA Chordal Concept for Jazzguitar, Peter o'Mara / AdvanceReading Studies for Guitar, William G.Leavitt / BerkleeMelodic Rhythms, William G. Leavitt / BerkleeEtüden für Klarinette, Fritz KröpschSolosuiten für Cello, J.S. BachPentatonics, Jazzline, Developing a Jazzlanguage, Jerry Bergonzi / AdvanceRealbooks/Omnibook/557 Jazzstandards - From Swing to BopThe Advanced Guitarist, Mick Goodrick / BerkleeJazztheoriebuch, Frank Sikora / SchottHow to Improvise, Hal Crook / AdvanceIntervallic Improvisation, Walt Weiskopf Jim McNeely: Claire Fisher: Sher MusicSher Music: Jamey AebersoldBill Dobbins diverseJim Mc Neely David Liebman: Antonio Adolfo. 'The art of comping', 'Harmonic exercises', 'The Artistry of Bill Evans ''Chick Corea Now he sings now he sobs''Herbie Hancock Classic Compositions and Piano Solos' 'McCoy Tyner Piano transcriptions'"A chromatic approach to Jazz harmony and melody''Brasilian Music Workshop' Rebecca Mauleon: 'The Salsa Guide Book' Kenny Werner: 'Effortless mastery' Charlie Parker - OmnibookPaul Chambers - The Music of Paul ChambersSimandl - Kontrabass-SchuleSimandl - Etüden Rufus Ried - The Evolving Bassist John Goldsby - Bowing Techniques for the Improvising BassistRay Brown - Bass MethodMarc Johnson - Solokonzepte für BassChuck Sher - The Improvisor's Bass MethodD. Baker: The Jazz Style of Sonny RollinsEugene Rousseau: Das Höhenregister des SaxophonsVolker Winck: Skript Fachdidaktik SaxophonJerry Coker: Patterns for JazzOliver Nelson: Improvisations- und StilübungenJerry Bergonzi: Melodische StrukturenJerry Bergonzi: Jazz LineD. Baker: The Jazzstyle of Cannonball AdderleyD. Baker: The Jazzstyle of John ColtraneJazz Artist Series (Don Sickler): The Artistry of John Coltrane J. Bergonzi: "Pentatonics" John Riley: The Art of Bop DrummingJohn Pickering: Studio/Jazz Drum CookbookDave Weigert: Workshop for Bass and DrumsGeorge Lawrence Stone: Stick ControlGeorge Lawrence Stone: Accents and ReboundsMitchell Peters: DexterityMitchell Peters: Intermediate Snare Drum StudiesCharlie Wilcoxon: 150 Rudimental SolosCharlie Wilcoxon: Modern Rudimental Swing SolosFrank Malabe/Bob Weiner: Afro-Cuban Rhythms for DrumsetDuduka da Fonseca/Bob Weiner: Brazilian Rhythms for DrumsetJohn Riley: Beyond Bop DrummingHerlin Riley/John Viadocovich: New Orleans Jazz and Second Line DrummingRoyal Hartigan: West African Rhythms for DrumsetBig Band ChartsSelbst erstellte Transkriptionen

Graded Exam

Examination of Artistic Qualification

Ungraded Exam

Regular Participation

Examination Requirements
Duration

2 Terms

Module Frequency

Winter and Summer Term

Language of Instruction

German